ROSÉ RECORDS

Most viewed & liked teaser by a female artist in 24 hours

Most viewed teaser by any soloist in history

First and only teaser by a soloist to surpass 51m views in youtube

Fastest video teaser for a kpop-female act to hit 1 million likes

Most viewed music video by a Korean soloist in its first 24 hours on YouTube (41.6M)

Fastest debut music video to hit 100 million views on YouTube

Most viewers for a solo music video premiere on YouTube (1.2M)

Fastest debut single by a korean female soloist to reach 100m views

Most liked music video by a Korean female soloist for the first 24 hours (4.3M likes)

First music video by a Kpop female soloist to surpass 4M likes in 24 hours in history

Fastest music video by a female solo artist to surpass 1M likes on youtube (1 hour and 23 minutes) - record broken by Rosé's 'Gone'

Fastest music video by a Korean soloist to surpass 8M likes in history

Fastest music video by a female solo artist to surpass 1M likes on youtube (1 hour and 2 minutes, breaking the record of On the Ground)

Earned the top debut on the global youtube music video chart with 29.8m streams (#5 in april 11)

most searched k-pop female soloist on youtube worldwide in the first quarter of 2021

58 #1’s on iTunes with On The Ground

Debuted at #1 on worldwide itunes song chart (On the Ground)

Earned 50 #1 itunes in 11 hours upon release (On the Ground)

Earned 57 #1 itunes in the first 24 hours, the most for any female artist in 2021 (On the Ground)

Earned 58 #1 itunes in total (On the Ground)

First korean female soloist to reach #1 on US iTunes with a solo song (no feature)

First korean female soloist to occupy 2/3 spots simultaneously on worldwide itunes song chart top 3

Most days at #1 on Worldwide iTunes for a Korean female soloist (3; On The Ground)

First korean female soloist song (no feature) to reach #1 on US iTunes (On the Ground)

First korean female song without feature to reach #1 on US iTunes (On the Ground)

Now the longest running #1 song on itunes worldwide by a korean female soloist (On the Ground)

Longest-charting 2021 k-pop song on the worldwide itunes songs chart (60 days) (On the Ground)

Spent three consecutive days at #1 on worldwide itunes song chart (On the Ground)

Female artist song with the most #1 itunes in 2021 (On the Ground)

Fastest debut song by a Korean act to surpass 100 million streams on Spotify (On The Ground)

First Korean female act to hit #1 on South Korea Spotify chart since its launch (On The Ground)

Fastest Album by a Korean Soloist to reach 200M streams

Biggest album debut by a korean artist on spotify in 2021 (8.66 m)

Biggest debut for a korean soloist on spotify weekly chart

Most streamed song by a korean act on global spotify daily chart for 8 consecutive days (On the Ground)

Became the first song by a female act to spend 10 consecutive days at #1 on spotify south korea (On the Ground)

Second most streamed track released in 2021 by a korean act on spotify (behind on the ground) (Gone)

Biggest debut for its two tracks for a korean soloist on global spotify(R)

Became the 2nd biggest album debut by a korean female act on spotify (R)

Only kpop soloist to own the top 2 spots on spotify’s global song debut chart

Only korean soloist to enter top 500 most-listened artist across the world on spotify

Only korean soloist to enter top 400 most-listened artist across the world on spotify

First k-pop female act to debut at #1 on spotify south korea

First ever korean soloist to enter spotify global daily chart top 10

First Korean soloist to hit the top 10 on the global Spotify chart (#8; On The Ground)

Highest-peaking monthly listeners by a Korean soloist on Spotify (12,539,674)

Biggest debut for a korean soloist on spotify global chart (#8 - On the Ground)

Only kpop female soloist song to chart simultaneously on spotify global chart (On the Ground)

First song ever by a kpop solo artist to enter the spotify global 200 weekly top 10 (On the Ground)

First female korean soloist song to enter spotify global daily chart top 10

Spent 43 days inside the top 10 of spotify south korea (On the Ground)

Most streamed song released in 2021 by a kpop female act both on spotify and youtube (On the Ground)

Fastest album by a korean soloist to hit 150 million streams on spotify (R)

Became the fastest kpop artist in history to reach 5 million listeners on spotify

First korean soloist to surpass 12m monthly listeners on spotify only korean soloist in spotify history to reach 8m, 9m, 10m, 11m and 12m monthly-listeners

Highest peak of monthly listeners in spotify history by a korean soloist (12,539,674)

Fastest korean soloist to surpass 10m-100m streams in spotify history

First female soloist to sell over 500,000 copies with an album on Hanteo

Highest first week sales by a female soloist on Hanteo (448,089)

First Soloist to simultaneously occupy 2 spots on MelOn 24Hits Top 5. broke the international pre-order record in just 12 hours

Has the highest pre order sales for a korean female soloist (500,000)

First female artist album to exceed 50,000 pre-orders on the 1st day in ktown4u

Fastest female artist album to reach 100k pre-orders in ktown4u (53 hours)

Fastest female artist album to reach 200k pre-orders in ktown4u (3 days 19 hours)

Best selling female soloist album on ktwon4u (achieved in 1 week)

Spent 7

Consecutive days at #1 daily chart on ktown4u (On the Ground)

Spent five weeks inside melon weekly chart top 10 (On the Ground)

Spent two consecutive months inside melon monthly chart top 10 (On the Ground)

Spent 300 hours inside genie realtime chart top 5 (On the Ground)

Spent 720 hours inside flo chart top 10 (On the Ground)

Debuted at #2 bugs (Gone)

Debuted at #3 genie (Gone)

First b-side track released in 2021 to surpass 1m unique listeners on melon (Gone)

Surpassed 10 million streams on melon (Gone)

First b-side track by a female act released in 2021 to surpass 30k likes on melon (Gone)

First soloist to occupy two spots in melon 24 hits top 5

2021 most searched artist on melon in 24 hours (202k number of searches)

Best-selling album by a female soloist on Hanteo and Gaon

Highest first day sales by a female soloist on Hanteo (282,674)

Gone is the first ever B side track by any act to enter MelOn 24Hits Top 5. best selling korean female soloist album of all time on gaon

Certified platinum on gaon with over 250k cumulative sales

Highest first day sales by a female soloist on hanteo

Highest first week sales by a female soloist on hanteo

First ever korean female soloist to surpass 500,000+ copies on hanteo

Best selling

Korean female soloist album of all time on hanteo

Second best selling female act album on hanteo (On the Ground)

Debuted at #1 on bugs (On the Ground)

Debuted at #1 on genie (On the Ground)

First debut song to enter melon 24 hits in 2021 (On the Ground)

Spent over 100 hours in the top 3 on melon 24 hits (On the Ground)

Spent over 600 hours in the top 5 of melon 24 hits (On the Ground)

First b-side track to rank #1 on k-pop radar’s weekly music video chart with 34.1 million views (Gone)

First b-side track by a 3rd gen girl group member to enter gaon digital chart top 10 (Gone)

Second highest charting b-side by a female artist in history of melon 24 hits (Gone)

Most liked bside track by a 3rd gen girl group member in melon (Gone)

Only artist to have multiple entries on gaon digital chart top 10 (3rd week of march)

Surpassed 100m cumulative digital points on gaon with only two songs

Best selling yg entertainment artist on gaon for 2021 1st quarter

First Korean female act to hit #1 on Billboard Global 200 (On The Ground)

First Korean female soloist to enter the top 10 on Billboard Digital Song Sales (On The Ground)

Highest charting song by a Korean female soloist on Billboard Hot 100 (#70; On The Ground)

Highest debuting song by a Korean female soloist on Billboard Hot 100 (#70; On The Ground)

Debuted at #70 on Billboard Hot 100 (On The Ground)

Debuted at #15 on Billboard’s digital song sales chart (Gone)

Debuted at #17 on Billboard’s Global 200 excl. USA (Gone)

First Korean female soloist to debut on Billboard artist 100 chart (#86)

First and only Korean female soloist to ever enter Billboard LyricFind US chart

First song by a Korean soloist to simultaneously debut at #1 on both Billboard Global 200 and Billboard Global Excl. US (On The Ground)

First artist to hit #1 on Billboard Global Excl. US as a soloist and with a group (On The Ground & Lovesick Girls)

Debuted at #1 on Billboard Global 200 singles chart (On The Ground)

Debuted at #1 on Billboard Global EXCLUDING US (On The Ground)

Longest charting song by a K-pop soloist in Billboard Global Excl. US chart in history (On The Ground)

Debuted at #29 on Billboard Global 200 chart (Gone)

First Korean female act to rank #1 on both Billboard Global 200 and Billboard Global excluding US charts

Highest charting female Korean soloist to debut on Billboard emerging artist (#2)

Second highest charting Korean soloist to debut on H ot100 (#70)

First female Korean soloist to enter UK Official Singles Chart chart

Biggest debut for a Korean debut artist on the Official Singles Chart (#43 - On the Ground)

Charted two songs on the Official Downloads Chart simultaneously - On The Ground & Gone

First solo idol to enter UK Official Singles Chart top 50

Posts the highest peak for a Korean soloist song on the UK charts since 2013 (#43 - On the Ground)

First artist to reach number one on a Billboard Global chart as a soloist and as part of a group.

Most viewed YouTube music video in 24 hours by a solo K-pop artist

Most downloaded album by a Korean soloist on QQ Music

R is the first single album by a Korean Soloist to sell 1.65M copies in China

Sold 125k copies on qq music in five minutes of release

Fastest to achieve 500k sold copies of digital album among all japanese and korean singers on qq music

Best-selling album by a korean solo act on qq music with 1.4 million downloads reached #1 on kkbox top asian daily new singles chart

Debuted at #1 on the united world track chart (370k points) (On the Ground)

Debuted at #1 on malaysia singles chart (Gone)

Remained charting for two consecutive weeks on the united world chart top 40 (#32) (Gone)

Fastest korean album to breakthrough 2x and 3x gold record, platinum record, 2x and 3x platinum record, and diamond record grade certificate on qq music

Most downloaded digital album by a kpop soloist on qq music

Ranked #1 for three days on qq music digital album sales chart (R)

Highest debut of the month of march on the rolling stone breakthrough 25 chart (#5)

Best selling korean soloist on qq music (digital album)

Debuts at #46 on billboard mexico airplay chart with on the ground

First korean female soloist to enter official irish singles chart (#49)

First korean female soloist to chart multiple songs on billboard canada hot100

Highest charting song by a Korean female soloist on Billboard Canadian Hot 100 (#35; On The Ground)

Reached #1 on qq music digital album sales chart

Certified 2x and 3x gold record, platinum record, 2x and 3x platinum record, and diamond record grade certificate on qq music

Best selling single album in china in 2021 with 1.5m+ sales in china’s music platforms (qq, kugou and kuwo)

First song by a korean soloist to spend it’s first two weeks inside the top 5 on united world chart (On the Ground)

Remained #1 on qq music mv weekly chart for four consecutive weeks (On the Ground)

Remained #1 on qq music search chart and never left since the release of -r- digital album (march 14) (On the Ground)

First b-side track to chart #1 on qq music korean weekly chart (Gone)

First korean female artist album to reach 1m downloads on qq music

Most downloaded kpop female artist digital album on qq music

Fastest korean act to receive 2x and 3x gold record, platinum record, 2x and 3x platinum record, and diamond record grade certificate on qq music

Entered top 10 on global digital artist ranking chart

Debuted at #31 on aria charts with on the ground